NYC Recap

Just got back from New York City last week and have not had much time to process the trip. Part of that was because of family being in town but another part was just that the five days I was there were a blur of activity and excitement.


I love New York City.

Always have. Always will.

Every time I get off the plane and hit the streets I feel that energy and it revs me up. The city is always moving, even if you’re not. Maybe I love it because its such a contrast to the desert where I grew up, where nothing is moving, I don’t know.

Here’s a quick recap:

Saturday night
Got off the plane, took the Airtran then subway into the hotel on Lex. Then rushed off to eat some quick crab cakes and then saw friends in Henry V at The American Globe Theater, just off of Broadway & 46th. Good acting, great fights, and fun cast party at O’Lunney’s afterwards

Sunday
Brunch at Pietrasanta on W. 49th and 9th ave, nearby where I lived for a summer. Yummy Eggs Benedict and mimosas and then turned to my right only to realize that I was sitting next to Mo Rocca from The Daily Show.

Saw Exit the King on Broadway. Everyone said Susan Sarandon was miscast or not that great. I thought she was decent, if not charismatic. Yet, she pales in comparison to Geoffrey Rush. He is superb! Comic and tragic. Briliant! I love seeing an Ionesco play done well!

Then down to the Village to eat some great Italian food then catch some music at The Bitter End. Saw some kid, must’ve been 16 years old shred guitar like he was Eddie Van Halen. Seriously.

Monday
In rehearsal most of the day (there was a fly-by?! Wtf?! I missed it!). Great actors, great director, talked about the play. Then the panel with Ellen Mclaughlin and Leslie Lee. I spent most of the time trying not to think about who I was sitting next to and hoping that my thoughts on playwriting and dramaturgy sounded coherent and not juvenile. I think the most insightful thing I said about talkbacks; “they should be called conversations and they are always too long”.

The reading of my play THE ALBATROSS was smashing. Got some laughs, maybe a few teary eyes at the end, and the “conversation” was quite helpful and supportive. Honestly, I don’t know what is going on with the universe but I have so far been having great experiences with the development of this play. It’s not always like that.

Tuesday
Went out to visit Stony Brook campus on Long Island. Fun train ride. Had lunch with a gaggle of dramaturgs talking about how to fix American Theater. Good times.

That night saw a experimental show by Alec Duffy, produced by Hoi Polloi called “The Less We Talk”. Very similar to an earlier show I’ve seen. More elaborate in scope but just as heartbreaking at times. Great use of singing to tell stories without it being a straight up musical.

Wednesday
Some meetings, a visit to the Drama Book Shop (again) and then off to the airport.

Phew!

More on the reading later!

No More Waiting and Waiting No More...

I was sad to learn this week that the Seattle Rep had cancelled the upcoming production of Bill Irwin in Waiting for Godot. The show was to be directed by legendary Irishwoman Gerry Hynes (of whose Broadway version of Beauty Queen of Lenane was so riveting--and one of the first Broadway shows I had seen after recently moving to NYC).

Instead they are doing The Road to Mecca.

No offense to Mr. Fugard, but...really?!

But my disappointed feelings were rejunevated when Playbill.com announced that Mr. Irwin was going to get his chance to do Beckett's most infamous play, after all...on Broadway. And with a co-star none other than Nathan Lane.

I must say I have slightly mixed feelings about that...In the article they even compared Lane to a modern-day Bert Lahr, who played Estragon in the original production on Broadway fifty years ago.



(As if you don't know this, but Bert Lahr was also the Cowardly Lion in The Wizard of Oz.)

Bert Lahr hated the play, hated Beckett, and I think the feeling was mutual.

Of course, this was fifty years ago, before anyone knew who Beckett really was or what his play was all about. People weren't used to this post-modern comedy, this laughing and crying at the same time thing. Let's hope Nathan Lane approaches the role slightly different.

It could be quite interesting. And Anthony Page is a good director.

And plus, it's Beckett on Broadway.

Evidently, that's something you see only twice in a century.

Hope I can get out to NY next year to see it.

THE RITZ OPENS!

Terry, my friend (and former best man) is in this little show on Broadway and it opened last night!

Congratulations to him and to the cast!

You can read about it here.

Judging by the picture--that's him in the towel-- and seeing as he also did the show Take Me Out, I now have to ask him if it’s in his contract to be slightly naked for all his acting roles.

To see a picture of him taking his Broadway bow, go here…I got a little weepy with pride seeing it m’self.

You rock Terry!